Luigi: The Story Behind the Story by John H Richardson – Sympathy for a Devil?

On December 5, 2024, a leading publication published the front-page story “Insurance CEO Shot Dead In Manhattan”. The article went on to state that Brian Thompson was “shot in the back in Midtown Manhattan by a killer who then walked coolly away”. The murder in broad daylight was indeed both chilling and disturbing. But many Americans had a different response: for those who faced insurance rejections or faced exorbitant healthcare costs, the news felt cathartic. Social media blew up. One comment stated: “All jokes aside … no one here is the judge of who deserves to live or die. That’s the job of the artificial intelligence system the insurance company created to maximize profits on your health.”

Five days later, Luigi Mangione, a good-looking, 26-year-old University of Pennsylvania graduate with a master’s in computer science, was arrested at a McDonald’s in Altoona, Pennsylvania. He awaits trial on federal and state charges of murder, with the district attorney seeking the death penalty. So who is Mangione? And what drove the accused offense? These are the questions John H Richardson seeks to resolve in an inquiry that explores broader themes, too.

Understanding the Person

A journalist for Esquire magazine, Richardson spent years researching the communities that lurk in the dark corners of the internet, producing articles about people “cursed with realistic fears about an apocalyptic future”. To uncover “the making” of his subject, Richardson first reviews Mangione’s wide-ranging book list. We learn that “[when] he was taken into custody, Luigi had a list of nearly three hundred titles on Goodreads”. Their subject matter covered climate change to masculinity, along with a “emphasis on his own personal growth, both physical and mental”. Furthermore, Richardson analyzes his correspondence with influencers and authors as well as his many updates on digital networks. These original materials, intended to depict a picture of Mangione, instead present him as an amorphous figure. Richardson attempts to explain this by proposing that “Luigi’s elusiveness, in fact, is what gives him a little of that old trickster magic”. Throughout the book, Richardson tries to frame his subject in symbolic roles.

Mangione is deeply anxious about the world around him, one where ‘everything is accelerating whether we like it or not’

Interpreting the Incident

As for “the meaning” of the title, Richardson uses as a clue three words – “delay”, “deny” and “remove”, etched on the ammunition left behind at the crime scene. These are the phrases occasionally employed by medical insurers to reject claims. He looks at the indication Mangione had a chronic back condition, which might have provided motive for an attack, but finds no proof; instead, what meaning there is seems to rest in Mangione’s philosophical dread about the world around him, one where “the pace is quickening whether we like it or not, sliding faster and faster to the edge”; a world where the general belief seems to be that AI is going to eventually either take control, or destroy us, or both.

Missing Pieces

Notably missing from the book are interviews with the principal actors. Richardson asked, of course, but never expected time with Mangione himself. And his relatives made it clear that they had decided against speaking to the media in advance of the trial. Another glaring gap is any significant information about the deceased, Thompson, though we learn that under his guidance, from 2021 to 2023, company earnings increased by 33%.

Ambiguous Findings

By the conclusion, the reader has no clear understanding of Mangione’s character or what might have motivated his alleged crimes. Worse still, Richardson’s obvious sympathy for him creates the uncomfortable impression of having been privy to a subtle approval of an targeted killing. In the book’s closing remarks, Richardson delivers his fairytale assessment: “We’ve entered a time of fables, the insane ruler, the monster in the maze and the naked leader.” In that tale “Robin Hoods come with a beautiful promise … They arrive in periods of unrest, when the population is in pain and everything is confusing anymore.”

One thing is certain: as Mangione’s defence team works to have accusations that could lead to the ultimate sentence thrown out, any mention of myths, folk heroes, heroes or monsters will not be admissible as evidence in defence of this handsome young man with a “features reminiscent of classical art” facing judgment for murder.

Matthew Murphy
Matthew Murphy

A seasoned journalist with a passion for uncovering stories that matter, bringing years of experience in digital media and investigative reporting.

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